Enclosed are a couple settings of the Lord I have called Doxasticon for the Sunday of the Samaritan Woman and Aposticha Doxasticon for Mid-Pentecost / Samaritan Woman. We humbly submit these for your review and hopefully are of some use.
Just curious, any reason as to why on "who was sorely inflamed" you performed the formula from Δι and transposed the hard chromatic from Πα on Δι instead of just going to Κε?
I second Samuel's question - also you need a nenano phthora above the martyria of di at the very end of the score to properly end the piece in Plagal 2nd mode ( between "compassionate" and "and the friend...")
Just curious, any reason as to why on "who was sorely inflamed" you performed the formula from Δι and transposed the hard chromatic from Πα on Δι instead of just going to Κε?
Like a chromatic interval which is sometimes used in an otherwise diatonic score for emphasizing a certain point, the same way in a chromatic score we use the phthora of Pa on Di to the same effect.
Just curious, any reason as to why on "who was sorely inflamed" you performed the formula from Δι and transposed the hard chromatic from Πα on Δι instead of just going to Κε?
I second Samuel's question - also you need a nenano phthora above the martyria of di at the very end of the score to properly end the piece in Plagal 2nd mode ( between "compassionate" and "and the friend...")
