Δοξολογία Ιακώβου Ήχος Πρώτος Τετράφωνος / Doxology of Iakovos Protopsaltis in First Mode Tetraphonos
Μία από τις πιό γνωστές Δοξολογίες / One of the most well known slow Doxologies
Εισαγωγή / Introduction
This doxology is considered to be one of the best ever written. Below, we present recordings of it and a comparative analysis of performances by noted psaltai. The score shown is from the classical 4-volume Pandekte by Stephanos and Ioannis (Constantinople, 1851).And another version [zip] (scanned by Shota Gugushvili).
Ηχογραφήσεις / Recordings
Λεωνίδας Αστέρης/Στυλιανός Φλοίκος, Εορτή Αγ. Βαρθολομαίου 2005, Πάνσεπτος Πατριαρχικός Ναός, από τη ραδιοφωνική εκπομπή "Ψαλτικής Απανθίσματα" του Βαγγέλη Λιναρδάκη και Εμμανουήλ Σουργιαδάκη. / Leonidas Asteris and Stylianos Floikos live at the Patriarchal Church (2005), from the radio show of Vangelis Linardakis and Emmanouel Sourgiadakis [mp3]
Ανάλυση Εκτελέσεων / Performance Analysis
D. Koubaroulis: In my personal view, Hatzimarkos' performance is unimmitable and incomparable. The rhythm, the intervals, the expression, the tempo, the voice. Hatzimarkos' recording is one of my most loved ones, and one of the most impressive I've got. Here it is, for everyone's benefit.
"Doxa Soi"

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments:Note how both Stanitsas and Petroheilos do apechema on KE (as if First Mode Tetraphonos) whereas Hatzimarkos does it on PA (as Plagal First Tetraphonos). Stanitsas seems to be doing different intervals than Hatzimarkos. He seems to be doing ZW flat all the way through. The isokratema in Hatzimarkos' recording is simple, traditional and according to mode changes.

"Kyrie Vasileu"

Hatzimarkos | Stanitsas | Petroheilos | Thomades
"Prosdeksai"

Hatzimarkos | Stanitsas | Petroheilos | Thomades
"Kathekastin"

Hatzimarkos | Stanitsas | Petroheilos | Thomades
"Euloghtos ei Kyrie, o Theos"

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments Hatzimarkos intervals in "Kai Aineton" are just perfect. Notice the melodic attraction of ZW'-KE diesis-ZW' when the melody goes back high again. Stanitsas does a different out of rhythm thesis in "kai dedoksasmenos".

"Euloghtos ei Kyrie, Didakson Me"

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments:Notice how Petroheilos does a high Ga in the last "-e" of Kyrie. The others do Ga flat systematically, don't know why, since the mode seems to be First Tetraphonos (high First mode, from KE) and so it really should be a high GA. Perhaps this was not given too much attention because of the really small duration of the note or my reasoning is wrong. Notice how Stanitsas and Petroheilos don't pull DI close to KE in "Didakson me" as much as Hatzimarkos does.

"Euloghtos ei Kyrie, Didakson Me" (the third)

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments: Notice how this time Petroheilos does a low Ga in the last "-e" of Kyrie. Notice how Stanitsas and Petroheilos don't pull DI close to KE in "Didakson me" as much as Hatzimarkos does.

"Kyrie Pros Se Katefygon"

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments Notice how Stanitsas and Petroheilos don't pull DI close to KE in "Didakson me" as much as Hatzimarkos does.

"Parateinon"

Hatzimarkos | Stanitsas | Petroheilos | Thomades

Comments Listen to "Parateinon" by Hatzimarkos. Beautiful.

"Trisagion"

Hatzimarkos | Stanitsas | Petroheilos | Thomades
"Trisagion" (the third)

Hatzimarkos | Stanitsas | Petroheilos | Thomades
"Kai nyn"

-- | -- | Petroheilos | Thomades
"Asmatikon"

Hatzimarkos | -- | Petroheilos | Thomades

Hatzimarkos does a different Asmatikon, don't know which one it is and why.