$277 (page 122)
"It is deemed reasonable for Church musicians to use one of those
(740) chroai (scales that he explained earlier) in compositions. On the condition that
some of their predecessors used the same chroa (scale) in some composition and
also that the chroa (scale) is close in sound to one of the eight modes. For instance Daniel
Protopsaltis in his Doxology he used the Chroa (Zw Nh Pa Bou Ga# Di Ke# Zw) but
the same chroa had been used already by Balasios Iereus and Petros Bereketis
in their Kalophonic Heirmoi".
Balasios Iereus
Chroa of Barys Diatonic Tetraphonos
(Ref: Chrysanthos)
Panagiotis Xalatzoglou
Plagal First "Enharmonic" (Atzem)
(in Kalophonic Heirmos "Efrikse Gh")
(Ref: Chrysanthos, footnote of Par. 272)
Petros Bereketis
Kalophonic Heirmoi
Chroa of Barys Diatonic Tetraphonos
(Ref: Chrysanthos)
Daniel Protopsaltis - Zaxarias Hanende
Borrowing of lines (Ref. Chrysanthos, Boudouris)
Doxology in the Chroa of Barys Diatonic (Ref. Chrysanthos)
Iakovos Protopsaltis
Doxology in maqam Bestenigar
Axion Estin in Atzem Asiran
Doxology in Souzinak (Plagal Fourth Chromatic)
Xourmouzios Xartofylax
Typika in Zygos (maqam moustaar)
Nikolaos Protopsaltis
Kalophonic Heirmoi
(e.g. "To Omma Tis Kardias Mou")
Germanos Afthonides
Double ison
(Ref: Angelopoulos)
Konstantinos Psaxos
Leitourgika in Minore
Harmonisation
(Ref: Angelopoulos)
Ioannis Sakellaridis
Harmonisation
Misael Misaelidis
Axion Estin in Mixed Enharmonic Scale
Konstantinos Pringos
Leitourgika in maqam Xouzam,
Leitourgika in maqam Kurdi
Thrasyvoulos Stanitsas
Leitourgika in Frygios
Leitourgika in maqam Kartsigar (Deuteroprotos)
Dynamis in maqam Ferahnak
3/4 rhythm and western isokratema
Agne Parthene
(and a version with instruments)
(from the site of the Arch. of Crete)
Archbishop Christodoulos and Athens cathedral choir
Westernised style and harmonisation
Phos hilaron (mp3)
Doxastikon Anastasews hmera (mp3)