Teachers of Byzantine Music in Slavonic languages


Νέο μέλος
Dear brothers and sisters in Christ!
At the same beginning let me first thanks to all of you for the precious information and posts on this web. When listing the teachers of Byzantine church music from Slavonic origin we must not forget the wonderful and most holy teachers from the city of Struga (FYRO Macedonia). This beloved teachers, coming from the small and most beautiful city on the coast of the Ohrid Lake did an apostolic renovation of the Byzantine - Slavonic church singing set on this geographical latitude in the IX-XII century by St. Cyril and Methodius and their students, especially St. Clement of Ohrid founder of the famous Ohrid University (slavic simple (equivalent) of the Great Magnavarum University in Constantinople).
This happened at the begging of the XIX century and unfortunately stops in about the 1960 (the reasons are many). In the following few rows I�ll try to sketch the personal images of some of them by writing down the major features of their historical life.

Naum Miladin � b. 1817 Struga (FYR Macedonia) � d. 27 April 1895 Sofia (Bulgaria)
Naum Miladin was born in Struga in 1817. Student of the Ioannian gymnasium and the Patriarchic seminary on Halki (Constantinople) (1841). He graduated the seminary with highest grades and after returning at home he started lecturing Byzantine music and Greek language. While the studies (1843) he wrote the book �Theory and practice of the Byzantine ecclesiastical music� on Church-Slavic language (first of its kind on Church-Slavic following the �New Method�). Unfortunately, there is no preserved example of this book except copies from the first few pages. However this book is much more valuable since it will be used as a basic pattern of the so-called �Struga Byzantine ecclesiastical music school�. All further representatives of this school are Naum Miladin students.
There is one more (most valuable) information about Nuam Miladin, it�s about his loyalty and love to the Holy Orthodox Church. The XIX century is very hard for the orthodox people (the Orthodox Church) on the Balkan not only because of the Ottoman bondage but also because of the arrogantly and hackler attempt for proselytism by �our� Latin Christian �brothers�. Naum Miladin will play out grand role in the effort to reject this evil and stay faithful and loyal to the Holy Orthodox Church.

Georgi Hristo Ikonomov
Student of Naum Miladin and husband of his daughter. We have poor information about Ikonomov but what is known from the oral tradition of memory is that he was great chanter and teacher of Byzantine ecclesiastical music.

Archimandrite Kalistrat Zografski (Krstan Sandjak) b. 1830 (?) (Struga) � d. 1914 (Month Athos)
Great abbot and archimandrite of the St. Georgi Zograf monastery (Zographu) on Month Athos. He was a zealous ascetic and was encyclopaedically educated theologian, musicologist, and philologist. Before taking monastic vows, he was a professor of Greek language and church chanting. In the Zograf monastery he established a school of music, translation, and calligraphic transcription. Kalistrat of Zograf was a prominent theoretician of Byzantine neumatic musical notation, a composer and psalmist, an expert in Old Greek, Old Church Slavonic, Modern Greek, and Romanian. He was creating immortal works and translations. Kalistrat of Zograf is maybe the pre-eminent expert on the Byzantine neumatic musicology invented by the renowned ascetic, composer and psalmist, St. John Kukuzel (XII century). Kalistrat�s transcriptions (into Church-Slavic language) of some parts of the Kukuzel�s musical opus will remain remembered as unparalleled mastery. He was the author of the fundamental musical study �Eastern Church Chanting� in four volumes, printed on Holy Mount Athos in 1905. He is the author of several original compositions. The most famous are the Eucharistic canon �Father and Son�� and �It is Worthy��. As the publishing editor in Zograf monastery and a fine expert on a number of classical and modern languages, Kalistrat of Zograf was the first to translate and print the services of St. Clement of Ohrid, St. Nahum of Ohrid and The Saint Seven (Sedmochislenici), from Old Greek into Old Church Slavonic language. He had a reputation of brilliant psalmist. Father Kalistrat reposed in the Zograf monastic koenoniea in 1914. For his humble, contemplative and ascetic life he is revered as one of the dearest spiritual fathers of the Athonic monastery Zograf. His relics are being kept in the Zograf crypt. Father Kalistrat�s contribution to music and philology is re-evaluated in contemporary scientific circles.

Father Dionysius (Poposki) � born in Struga. Author of some church compositions. The most popular is Gospodi vozvah (Kyrie ekekraksa ?) on 1-st mode.

Father Demetrious (Milev) � do not have any information about him right now.

Anastas Kalajdzi - do not have any information about him right now.

Jance Klenko � (b. ? � d. 1944) do not have any information about him right now.

Sotir Cakar - do not have any information about him right now.

And Father Vladimir Sandjakoski � the last one. According me father Vladimir is the most holy father of our Church and the best chanter. The citizens of Struga used to call him the Slavic Chrisostomos . I have much material to tell you about him (at the moment I�m writing a PhD thesis on his work) but I please you to excuse me for tonight  because it�s getting very late here. I promise you to post very soon on the forum the following materials about him:
1. Biography
2. Bibliography
3. Historical sound examples from 1968
4. Sermon (speech) of father Vladimir about the life of the church psaltos, spoken on the funeral of the psaltos Sotir Cakar (mentioned above). You will love this� it is written with such a love and whiten the language of the neo-patristique synthesis.

Once again thank you for this web� and I hope you will find interesting information here. Enjoy!!!

Sincerely yours,
Dimitri Kumbaroski, M. Mus.
Professor of trumpet and chamber music and
Church psaltos by the mercy of our bellowed God